Press

“A lilting, entirely lovely lament … Micae’s blend of soft-focus Americana and golden Laurel Canyon folk is beautiful.” – Mike Usinger for The Georgia Straight

“Standing directly alongside The Weepies and Big Thief specifically, ‘It All Looks A Little Different Now’ offers a muted response to the subtle changes we see in our environments and within ourselves.” – Cole Jackson for Unsigned BC

“What makes the EP so affecting is its refusal to manipulate. Instead of dictating what to feel, Micae leaves space for the listener to bear witness alongside her.” – Indiefferential Magazine

“Micae showcases her knack for upcycling the mundane into the magical, in a widely relatable way, immortalising fleeting moments with precision and nuance.” – Zahra Hanif for Music Is To Blame

“A reminder that small songs can carry heavy weather—and that sincerity, recorded honestly, can feel downright symphonic.” – Uranium Waves

“Micae comes across as an artist who accommodates sorrow and happiness with equal facility. In this delicate equipoise, she offers her listeners something wonderfully strange: songs that don’t just convey emotions but comment on them too.” – Powher Sound

“Is this about a future imagined, a past lamented, or a dream deferred? Micae leaves the question open, and that’s the song’s genius: it invites you to sit on that bench too, to cradle your own grief or hope, and just be.” -Unsigned BC

“Micae’s vocals drive the album’s wistful feel, from the Pretenders-ish opener Out on the Streets to the school dance-worthy Across the Stage.” – Jonathan Cohen for Variety Magazine

“I had worked with [Micae] in a rehearsal situation but when I brought her in to sing for this new album she sometimes sang lower and it had a real mood, it made me stop and want to listen.” – Fancey, Interview in Psychedelic Baby Magazine